Summary
3/5 The first curiosity of this cabaret from Argentinian playwright and actor Alejandro Tantanian is that it is a cabaret without spectacle.
The stage is strewn with instruments like a music workshop: grand piano, accordion, drum, cello, clarinet, saxophone, cymbals and various percussion devices, and the backdrop a clean, white space, washed with changing colours.See the full content of this document
Extract
De Lagrimas, Tron Theatre, Glasgow
Tantanian stands at the fore, an unassuming man in striped trouser...
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