Summary
WHEN Noel Coward rattled off this exquisitely turned-out verbal pas-de-deux over a long weekend in 1930, it was an unashamedly delicious vehicle for himself and his funny-girl of choice, Gertrude Lawrence.
This off-the-cuff tale of a divorced couple who inadvertently contrive to book themselves and their spanking-new spouses into adjacent honeymoon suits was a gloriously amoral hit. Particularly, one suspects, among the cocktailfuelled bohemian set they so enthusiastically ran with.See the full content of this document
Extract
Private Lives, Theatre Royal, Glasgow 3/5
Three-quarters of a century on, Coward's cut-glass observations on love, marriage and th...
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